Lloyd Alexander (Novelist, The Book of Three) – 1924Gene Hackman (Actor, The Royal Tenenbaums) – 1930
Vanessa Redgrave (Actress, Howard’s End) – 1937
Charles S. Dutton (Actor, Cookie’s Fortune) – 1951
A blog dedicated to the discussion of random arts issues - and the occasional random tangent. Books, movies, music, photos, and a little bit of politics... It may all be the subject of a blog.
Lloyd Alexander (Novelist, The Book of Three) – 1924
My birthday posting has been a little irregular over the course of this past week, and in missing yesterday, I missed the opportunity to post Jackson Pollock’s birthday. Oh well… there it is now, belatedly.
Samuel Palmer (Painter, "A Dream in the Appenine") – 1801
Paul Newman (Actor, Cool Hand Luke) – 1925
Édouard Manet (Painter, “Berthe Morisot”) – 1832
Lord Byron (Poet, Hours of Idleness) – 1788
Peter De Wint (Painter, “Boats”) – 1784
Johannes Vilhelm Jensen (Poet/Novelist, Digte) – 1873
Rubén Darío (Poet, Prosas Profanas y Otros Poemas) – 1867
William E. Stafford (Poet, “Walking West”) – 1914
Harry Carey, Sr. (Actor, Mr. Smith Goes to Washington) – 1878
Molière (Playwright, The Imaginary Invalid) – 1622
Hugh Lofting (Novelist, Doctor Dolittle) – 1886
Lilla Cabot Perry (Painter, “The Black Hat”) – 1848
Jusepe de Ribera (Painter, "Martyrdom of St. Philip") – 1591
Domenico Ghirlandaio (Painter, "An Old Man and His Grandson") - 1449
Handsomely shot, technically accomplished, with some very fine moments and a talented and engaging supporting cast, The Curious Case of Benjamin Button is a beautiful snore.
the way of personality. Button may meet interesting people, sure, but the film is ultimately derailed because it’s tied to the telling of its hero’s story – and its hero is a cipher. How much of this is Brad Pitt’s fault and how much is the fault of screenwriter Eric Roth is hard to know, but neither man seems to have made the right choices. Pitt doesn’t provide his character with anything much beyond good looks and a charming smile while Roth, who is essentially riffing on (or ripping off) his own screenplay for Forrest Gump here, hasn’t really helped matters by giving his central character so little verve. Any film that asks its viewers to invest three hours in the story (the love story, no less) of a lifeless main character is bound to seem a little too long.
Robinson Jeffers (Poet, “Hooded Night”) – 1887
Thomas Warton (Critic/Poet, “To the River London”) – 1728
A remake of a remake of an adaptation. Oy.
Lately I’ve been reading P.G. Wodehouse’s How Right You Are, Jeeves. It’s my first venture into the literary world of Wodehouse, and I can see why so many readers have enjoyed him – there is a wonderful amount of witty wordplay. Wordplay works wonders for me, though I know not everyone’s funny bone will be tickled by the verbal antics of a likeable, humane twit and his perfect butler.
William Wilkie Collins (Novelist, The Moonstone) – 1824
While I usually don’t include non-artistic figures in the daily “Birthdays,” I have been sorely tempted.
Gustave Doré (Illustrator) – 1832
Yves Tanguy (Painter, "Indefinite Divisibility") – 1900
François Rude (Sculptor, "Mercury Fastening His Sandals") – 1784
Cicero (Roman Philosopher) – 106 B.C.E.
Frederick Varley (Painter) – 1881
Arthur Hugh Clough (Poet) – 1819
If you’re due to be in New York or San Francisco come January – and if you know that you’re going to have a lot of free time – you might want to check out the film programs at the MoMA or the Castro Theatre. Both institutions have an interesting (and diverse) array of movies scheduled to play.
Henri Matisse (Painter, “The Dance”) – 1869
Max Pechstein (Painter/Printmaker) – 1888
Julius Caesar Ibbetson (Painter, "Sailors Carousing") – 1759